Peg Morris

Cirque de Navacelles
Peg Morris
Cirque de Navacelles
etching, artist’s proof
15 x 20.5cm
£50 (unframed)

Aldeburgh Boat IV
Peg Morris
Aldeburgh Boat IV
lithograph, 1/4
24 x 30cm
(unframed)
£295
Aldeburgh Boat I
Peg Morris
Aldeburgh Boat I
lithograph, 2/4
24 x 30cm
(unframed)
£295

Abandoned Boat, Aldeburgh II
Peg Morris
Abandoned Boat, Aldeburgh II
etching, 1/20
24 x 30cm
£295
Abandoned Boat, Aldeburgh II
Peg Morris
Abandoned Boat, Aldeburgh II
etching, 1/20
24 x 30cm
£295

Charlotte and Silver Jubilee
Peg Morris
Charlotte and Silver Jubilee
etching, 1/20
24 x 30cm
£295

Windswept Trees
Peg Morris
Windswept Trees
etching, 7/15
20 x 20cm
(unframed)
£75
Ancient Tree, Richmond Park
Peg Morris
Ancient Tree, Richmond Park
etching, 2/15
20 x 20cm
(unframed)
£85

Mistletoe Tree
Peg Morris
Mistletoe Tree
photopolymer etching, 5/15
16.5 x 11.5cm
£135
Snow in the Park
Peg Morris
Snow in the Park
etching, 1/15
16.5 x 11.5cm
£135
Still Morning, Pen Ponds
Peg Morris
Still Morning, Pen Ponds
etching, 7/20
25 x 25cm
£75

French Window I
Peg Morris
French Window I
etching, 9/20
12.5 x 17.5cm
SOLD
Ascent I
Peg Morris
Ascent I
etching, 6/20
29.5 x 23.5cm
£175
Ascent III
Peg Morris
Ascent III
etching, 1/20
29.5 x 23.5cm
£175

Composition Decomposition I
Peg Morris
Composition Decomposition I
etching, 1/1
45 x 22cm
£300
Composition Decomposition II
Peg Morris
Composition Decomposition II
etching, 1/1
45 x 22cm
£300
Composition Decomposition III
Peg Morris
Composition Decomposition III
etching, 1/1
45 x 22cm
£300

Peg graduated from Gloucestershire College of Arts and Technology in the late 1980s and studied etching at Putney School of Art for many years.

Her work focuses on significant forms, patterns and colour combinations in natural and urban landscapes. A common thread linking much of her work is decay – this could be a weather beaten, decomposing tree stump, a track worn into the landscape by generations of feet, the crumbling and erosion of landscapes or the peeling paint on a neglected building. Peg manipulates images based on landscapes using a variety of media, sometimes detailed and intricate, sometimes abstract and free. The process of etching lends itself to representing these themes as the plate is itself eroded by the acid, scraped and polished, scratched and sometimes cut into fragments.

Peg was nominated for the Surrey Artist of the Year in 2012, is a founder member of Kingston Artists’ Open Studios, and a member of the Southbank Printmakers, Richmond Printmakers and the Printmakers Council


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